Afterlives of Endor

Afterlives of Endor offers an analysis of the way Early Modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot's skeptical The Discoverie of Witchcraft (1584) King James VI/I's Daemonologie (1597) and Jean Bodin's De laDemonomanie (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts "This book examines the ways plays and poetry by Shakespeare, Spenser, and Marlowe address anxieties about witchcraft, illusion, and theatricality in light of legal and theological approaches to witchcraft trials in the early modern period, and it explores what factors determined whether demonologists imagined trial as theater through analyses of manuals and pamphlets about the prosecution of witches"--