Drones, Tones, and Timbres
Sounding Place among Nomads of the Inner Asian Mountain-Steppes
by Carole Pegg
- First published:
- 21st century
- Language: English
An indispensable study of the music of Altai-Sayan peoples Based on more than twenty years of collaborative research, Carole Pegg's long-awaited participatory ethnography explores how Indigenous nomadic peoples of Russia's southern Siberian republics (Altai, Khakassia, Tyva) sound multiphonies of place in a post-Soviet global world. Inspired by the mountain-steppe ecology and pathways of nomadism, soundscapes created in performative ritual events cross political and multiple-world boundaries in a shamanic-animist universe, enabling human and spirit actor interactions in a series of sensuous worlds. As with the "throat-singing" for which Indigenous Altai-Sayan peoples are famous, senses of place involve sonic relations, rootedness, movement, and plurality. Pegg echoes their drone-partials musical and ontological models in an innovative theoretical entwinement. Three strands form the book's multivocal drone, the partials of which sound in each chapter: ontological sonicality and musicality that enables emplacement and movement; the importance of shamanism-animism--at the core of Indigenous spiritual practices--for personhood and community; and the agency of sonic performances. Sounding place, Pegg demonstrates, is essential to the identities, ways of life, and very senses of being of Indigenous Altai-Sayan peoples.
Provenance
Why this book is in the catalog
Included because retained bibliographic metadata links this work to Shamanism and spirit practice.
Controlled discovery queries from gegnir matched “Shamanism”. Retained metadata contains “Shamanism” in the description, “Shamanism” in the subject metadata, and “Shamans” in the edition notes.
- “Shamanism”· via Gegnir/Leitir — Icelandic Union Catalogue
- “Shamanism”· in description
- “Shamanism”· in subject
- “Shamans”· in edition notes
Membership records how this book met the catalog’s discovery criteria — relevance to a tradition, not a judgment of the book’s claims.
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Editions
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| Edition | Date | Publisher | Language | ISBN | Access | Links |
|---|---|---|---|---|---|---|
Sounding Place among Nomads of the Inner Asian Mountain-Steppes First edition 1 online resource (407 pages); Dewey classification: 783.09573; Includes bibliographical references and index; Intro -- Cover Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Languages, Transliteration, Translation -- Companion Website -- Part One: Emplacement, Ontologies, Bodies -- Introduction -- Background -- Altai-Sayan and Greater Altai Mountain-Steppes -- The Shamanic Animist Universe -- Journeying in Horizontal Middle Worlds -- Sonic Pathways in Vertical Landscapes -- The Creative Shaman -- Republics, Indigenous Peoples -- Mountain Altai (Gorny Altai) -- Khakassia -- Tyva -- State and Global Flows -- Unesco, The Russian State, Nomads, World Music -- Shamanic Renaissance and Harner's Global Core -- Structure of the Book -- Performance Arena -- Ontological Musicality and Sonicality -- 1. Performative Bodies -- Social -- Sonically Embodied Self-Drone -- Relations of Personhood -- Multisensory, Extrasensory -- Prioritization and Entwinement of Common Senses -- Sounding and Sensing Spirits -- Multisouled -- In-Place Living Souls -- Out-of-Place Living Souls -- Dispatching A Posthumous Soul -- Instrumental -- Throat-Singing as Body-Music -- Tuning the Body -- Jaw's Harp, Open End-Blown Flute -- Musical Instrument as Living Body -- Traditional -- Gendered -- Respectful -- With-Spirit -- The Gift -- Shamanic Suprabody -- Landscaped -- Resonating the Tripartite Universe -- Living Rocks and Stones -- Ancestral, Archaeological -- Indigenous -- Part Two: Sounding Middle Worlds -- 2. Human Communities -- Agents of Ethnicity and Indigeneity: Epics, Tales, Poetry, Oral Histories -- Yenisei Kyrgyz (Turkic) Khanate -- Mongolian Empire -- Jungar (Oirot) Khanate -- Lineages, Kinship, Land -- Praise-Songs and Blessings in the Singing Forest -- Musicking Past Kin -- Pilgrimage: Big Shamans, Little Shamans -- Bonding, Coloring, and Re-Placing A Tyvan Family -- Local and Social Place -- Improvised Verses and Melodies -- Ritual Laments; Kulada: Performing Kaleidoscopic Connections -- Bowing, Blessings, and Place -- Ritual and Jangar Songs -- Lower Talda: Improvising Traditions -- Preparations -- Ritual Actions -- Bowing, Blessing-Fortune, and Place -- Spirit-Interceders -- Epic Motifs, Throat-Singing, Topshuur Lute -- Postritual Celebrations -- Multisensory and Extrasensory Experiences -- 6. With-Spirit Epic Performers -- Lineages -- Altai: Telengit, Altai-Kizhi, Töölös Tuba -- Khakassia: Khyzyl, Khaas, Saghai -- Tyva: Clans, Schools -- Kai-Khai Person -- Extending Sensibilities, Crossing Boundaries -- Initiation, Performative Gifts, Codes of Performance Practice -- Ritual Performances -- Local Activities: Hunting, Escorting the Soul -- A Traditional-Global Encounter: Elbek Kalkin -- Epic Performance as Boundary Transition -- Protection, Healing -- The Skillful Epic Performer -- Sounds, Ethnopoetics, Paralinguistics -- Musical Epic Hero and Epic World -- 7. Shamanic Roads -- Pathways of Origin -- Sources of Shamanhood and Power -- Clan, Ancestral Road, Initiation -- Throat-Singing, Place, Power -- Vocalizing Spirits and Journey -- Song-Chants, Melodies, Interjections, Exclamations -- Spirit Embodiment and Mimesis -- Throat-Singing, Whistling, Yawning, Coughing -- Sonic Modes of Travel -- Drum: Spirit-Helpers, Percussive Sounds -- Beater: Metamorphosis, Healing -- Jaw's Harp: Power, Strength -- Staff, Fan -- Mirror: Celestial Origin, Drum Substitute -- Costume: Activator of Pathways -- An Altaian Shaman's Healing Rituals -- Creating, Opening, Unblocking the Road -- Enlivenment, Invitation, Ancestral Clan Hero -- Placing Clients: Clan, World, Universe -- Case Studies: Terminal Illness, Distress, Infertility -- Vibrating, Spinning, Seeing, Journeying -- Patient Actions -- Coda -- Sounds and Silence -- Performance and Performativity -- Sensory, Multisensory, Extrasensory; Publication place: Urbana, Illinois; Sensuous Scholarship -- Ritual Performances -- Gatherings of Activation -- Transitions and Transformations -- Nomadic Movement and Belonging -- Indigeneity -- Land Rights -- Musical Icons -- Sounding Place -- Multiphonies -- The Past in the Present -- From "Out-of-Place" to "In-Place" -- Holism -- State, National, and Global Pathways: Flows and Dissonances -- Are Altai-Sayan Shamans "Neoshamans?" -- Is Buddhism Indigenous? -- Who Owns Cultural Heritage? -- Appendix -- Participants -- Notes -- Glossary -- References -- Index; The Festive Nation's Musical Soul -- Altaian El-Oiyn, Chaga Bairam, Altyn Taiga -- Khakas Chyl-Pazy, Tun Pairam -- Tyvan Naadym -- Global Presence and Place: Shamans, Musicians, Indigenous Peoples -- 3. Spirit Actors, Spirit Places, Nomadic Landscapes -- Nature's Spirit-Owners -- Respecting and Serenading -- Charming for Hunting and Animal Husbandry -- Musicality -- Duetting in the Ancestral Land -- Silence in A Sacred Place of Khai -- Mountain People -- Hearing and Seeing Ancestors -- Music, Instruments, Receiving the Gift -- Ancestral Spirit-Roads -- Shamanic Spirits -- Mountain Shamaness with Virtual Drum -- Tyvan Eeren -- Spirits of Illness -- Buddhist Accommodations and Contestations -- Rituals, Music, Spirit-Protectors, and Land -- Angering Local Spirit-Owners -- Boundaries, Emplacement, Movement -- Territorial Markers: Ritual Cairn, Hitching Post -- Otherworld Boundaries: Portals, Pathways -- Powerful Places, Boundaries, Verticality, and Laterality -- 4. Ancestors and Archaeology -- Altai -- Pazyryk Heroes, Harp, and Drums -- Ice Maiden: Spirit-Protector, Epic Heroine, Musical Icon -- Black Hand Ancestors, Energetical Locks, Bashadar Heroes, and Altaian Harp -- Khakassia -- Sunduki: Epic Narrative as Rock Art -- The War Stones of Uibat Steppe -- Boundary Between Worlds: Silence at a Tagar Megalith Site -- Conveyors of Sound And Place: Rock Art and Musical Instruments -- A Multisensory Shamanic Ritual -- Tyva -- Arzhan Burials, Jaw's Harp, Stone Figures, Rock Art -- ÜSTüü Khüree Temple and Festival -- Part Three: Attuning to Upper and Lower Worlds -- 5. The White Way -- Beginnings, Re-Creating, Unsounding -- Domestic Rituals -- Enlivening Spirit-Interceders -- Offering to the Fire, Respecting the Hearth -- Protecting the Home -- Clan Rituals: Altai's Ear -- Preparations and Purifications -- Ritual Participants | [2023] | University of Illinois Press | English |
| Catalog record |
Subjects
Identifiers & provenance
How this record was assembled, and the authority identifiers it carries.
Identifiers
- Gegnir (Iceland)
Cataloged from
- Gegnir/Leitir — Icelandic Union Catalogueprimary991016845958306886 (opens in a new tab)
- Catalog id
- gegnir:991016845958306886
- Edition coverage
- Gegnir source record
- Retrieved



